Oct 10, - A Horse gif that doesnt have a hole in a horse. Ein Pferdegif, das kein Loch in einem Pferd hat. Mar 30, - Explore Debi Wedd's board "Horses Gifs", followed by people on Pinterest. See more ideas about horses, beautiful horses, animals. - Erkunde Bibi Blocksbergs Pinnwand „Horse gifs“ auf Pinterest. Weitere Ideen zu pferde, reiten, tiere.
Datei:Muybridge race horse animated.gif- Erkunde Вяраs Pinnwand „Horse Gifs“ auf Pinterest. Weitere Ideen zu pferde, pferd, reiten. - Erkunde Bibi Blocksbergs Pinnwand „Horse gifs“ auf Pinterest. Weitere Ideen zu pferde, reiten, tiere. Yodalr ××7 ( bytes) 12 frame long animation made in Flash 8 by rotoscoping horse gallop from Edweard Muybridge "Horses.
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Beautiful Horse Jump. It sits, paws perfectly aligned and head cocked. Expectedly, it pounces — leaping off the shelf wild and frantic and hilarious as it experiences the terror of free fall.
An adorable tuxedo kitten is sitting on a bookshelf, eyes fixed on a housefly. The blinds in the corner are bent and broken, something any kitten owner can relate to.
Inevitably, it clumsily pounces. If every picture tells a story, a gif tells a story as a series, each version a slight variation on the previous one.
With every loop, a viewer can take in more information, as inert details come to life and new elements are noticed, while the emotions triggered can be experienced repeatedly.
The majesty of a rubber-band ball regaining its dignity after being crushed under a hydraulic press, or the shock of a car crash caught on a dashboard camera, can be felt again and again.
Once a sign of internet savvy, sharing a gif now has been streamlined and democratized by the rise of searchable databases like Giphy and by the integration of gifs into phone apps.
Finding just the right clumsy puppy or celebrity eye-roll is as easy as finding the right word in the moment, making communicating through gifs commonplace.
As often happens with new modes of communication as they become mainstream, gifs have been dismissed as stunted and insincere; they have been saddled with the same stereotypes that have been applied to those presumed to use them most: lazy millennials who want everything prepackaged for their short attention spans.
The qualities that define gifs were also fundamental to oral traditions, to how the stories and epics that gave shape and substance to the everyday life of oral societies were transmitted.
Sound exists only when it is going out of existence. In oral societies, the spoken word has unique transformative power. The qualities that define gifs were fundamental to oral traditions, to the epics that gave shape and substance to everyday life.
Memory is necessary for knowledge preservation, and mnemonic skills like repetition, metrical speech, and rhyme become key to knowledge transmission.
As classicist Eric Havelock has described in Preface to Plato , poet-performers in ancient Greece relied on such devices to remember and transmit long, winding tales like The Iliad, complementing them with foot stamping, swaying, and music to make them richly communicative events.
This suite of mnemonic devices and formalized bodily movements stabilized epics as rhythmic, visceral performance, while limiting the ways one telling might vary from another.
These were the original technologies for outsourcing memory. Gifs rely on similar mnemonics and limitations. As the Greek poet used repetition so the audience could follow along, the gif shows the same information over and over again to allow for maximum retention.
Like proverbs, gifs unload their message quickly and can be applied in many different situations. And like epics, gifs often vary through slight moderations that recontextualize them while remaining faithful to older versions already lodged in memory or tradition.
Hence the popularity of gif macros like Javert looking through a window , Robert Redford nodding , and Side Eye Chloe. To be sure, a sad Javert gif and the mythopoetic tradition in Greece differ greatly.
They cater to different cultural imperatives: The oral tradition serves memory in a culture where writing is uncommon or nonexistent, whereas gifs are often a conversational tactic that helps us navigate the experience of omnipresent text.
Ong argued, from an admittedly Western-centric perspective, that all cultures could fit on a spectrum spanning from oral to literate.
This dichotomy seems to suggest that texts are linear, dead documents, and oral communication is alive. The societal implications of the written word have more to do with how text is distributed and blended with other media forms than with any intrinsic qualities of typographic communication.
If the written word exists in space and the spoken word in time, then gifs synthesize these, fleeting yet durable and ever redeployable.
Gifs are both text and speech, and neither. All of this, despite the fact that the gif is a silent medium.
It is oral but not aural. In the earliest days of real-time digital text communication, it quickly became clear that letters and punctuation alone were not sufficient for the kinds of communication afforded by instantaneous, conversational connection.
The right gif in the right context can be more effective at evoking emotions and acting on subjects than the gestures and intonations of face-to-face conversation.